RESEARCH: DON’T LOOK NOW
I watched the opening of Don’t Look Now (directed by Nicholas Roeg 1973). Its genre is
thriller and the opening shows many thriller codes and conventions such as a
sense of jeopardy, omens, match cuts between seemingly unrelated scenes that
create a mystery, the use of symbolic colour codes, emotive soundtrack and powerful
visual drama.
In the opening, …. (SCREENSHOTS HERE FROM THE FILM)
I think that we can make use
of some of the filming and editing techniques used in Don’t Look Now because our film is also a thriller that draws on
the supernatural. In our film, we hint at the existence of a ghostly child
whose presence haunts the mansion. We plan to dress a child-like figure in a
white sailor suit, the kind that upper class children of an earlier generation
wore, and use him in the same way that Nicholas Roeg uses the child / dwarf
figure dressed in red.
In our film, we will have made props of our protagonist, the photographer, looking through his file of photographs.



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